Box 28

Photographs include: prints from images notebooks #1-#2 (Box 24); prints from images notebooks #3-#7 (Box 25); continuity photographs by R. Landry (note that polaroids were originally in a binder and in photo pages; Box 26); miscellaneous images (Box 27); location scouting photos in Maine, Massachusetts, New Jersey, and New York (note that color photos taped onto inside of legal folders could, at some point, be rehoused; Box 28); and slides (Box 29).

Photographs include: prints from images notebooks #1-#2 (Box 24); prints from images notebooks #3-#7 (Box 25); continuity photographs by R. Landry (note that polaroids were originally in a binder and in photo pages; Box 26); miscellaneous images (Box 27); location scouting photos in Maine, Massachusetts, New Jersey, and New York (note that color photos taped onto inside of legal folders could, at some point, be rehoused; Box 28); and slides (Box 29).

Photographs include: prints from images notebooks #1-#2 (Box 24); prints from images notebooks #3-#7 (Box 25); continuity photographs by R. Landry (note that polaroids were originally in a binder and in photo pages; Box 26); miscellaneous images (Box 27); location scouting photos in Maine, Massachusetts, New Jersey, and New York (note that color photos taped onto inside of legal folders could, at some point, be rehoused; Box 28); and slides (Box 29).

Photographs include: prints from images notebooks #1-#2 (Box 24); prints from images notebooks #3-#7 (Box 25); continuity photographs by R. Landry (note that polaroids were originally in a binder and in photo pages; Box 26); miscellaneous images (Box 27); location scouting photos in Maine, Massachusetts, New Jersey, and New York (note that color photos taped onto inside of legal folders could, at some point, be rehoused; Box 28); and slides (Box 29).

Wesserunsett Stream meets Kennebec River (Skowhegan, Me., Oct. 1994), Fifteen Stream meets Sebasticook River (Clinton, Me., Oct. 1994). Includes photography of map and note from Sarah Hunt (Maine Film Commission): "Here are a few possibilities for the mill burning scene...."

Includes note from D. Lea Girardin (director of the Maine Film Office) to Laurie Kahn-Leavitt. Originally in folder: "Martha walks in mud and launches canoe." See Oversized folder for Head Time and Historical Sheepscot.

Photographs include: prints from images notebooks #1-#2 (Box 24); prints from images notebooks #3-#7 (Box 25); continuity photographs by R. Landry (note that polaroids were originally in a binder and in photo pages; Box 26); miscellaneous images (Box 27); location scouting photos in Maine, Massachusetts, New Jersey, and New York (note that color photos taped onto inside of legal folders could, at some point, be rehoused; Box 28); and slides (Box 29).

Photographs taken in winter.

Photographs include: prints from images notebooks #1-#2 (Box 24); prints from images notebooks #3-#7 (Box 25); continuity photographs by R. Landry (note that polaroids were originally in a binder and in photo pages; Box 26); miscellaneous images (Box 27); location scouting photos in Maine, Massachusetts, New Jersey, and New York (note that color photos taped onto inside of legal folders could, at some point, be rehoused; Box 28); and slides (Box 29).

Hartwell Tavern and Captain William Smith House.